All the Michael Sammes recordings feature new instrumental arrangements, which seem especially offensive for an opera like Yeomen, where Sullivan's consummate skill as an orchestrator was at its zenith. The first selection listed on the record is the overture, but in fact, only a few bars of it are given before an awkward modulation into Phoebe's opening number; "When a wooer goes a wooing" strikes me as an odd way to end the album. The singing here is competent, but unmemorable. Selections are as follows: