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Koch International 340 342 |
The New Sadler's Wells Opera was formed in the mid-eighties, filling
the void (or so it was thought) that was left by the closure of the original
D'Oyly Carte. It has even been suggested that the Powers that Be
pushed the old Company gently into the grave, so that they could
make way for a new, and presumably more-enlightened, light opera
company. The New Sadler's Wells, however, enjoyed only a brief
time in the sun, and the Company folded after a couple of years.
In their brief career, the NSWO managed to put on two extremely
important G&S productions that set a new standard for textual
fidelity. The first of these was a centenary production of Ruddygore
that restored the opera nearly to a first night state, restored some "lost"
ghost music that is found only in Sullivan's autograph score, and removed
layers upon layers of embellishments to the text that were heaped on
by D'Oyly Carte musical directors of the 1920s. Those who think
they know Ruddigore will be both surprised and delighted to meet
the work as Gilbert & Sullivan actually wrote it.

Jay CDJAY2 1340 |
One curious omission is the second verse of "I once was as meek
as a new-born lamb" (i.e., "My face is the index to the mind...").
No one has ever disputed that this verse was sung on the first night.
Given the presence on the recording of so much material that was deleted
before the first night, its absence is hard to comprehend.
Aside from this, the recording seems to include every note written
for the first night. All of this lost music has since been published
in the Oxford University Press edition of the score.
Adrian Bridgeman had several comments on the recording and the production
on which it was based:
My LP sleeve and cassette insert spell the title "Ruddigore." This matches
the theatre programme. I believe I have seen LP covers which spell it
"Ruddygore." [So have I. ed.]

Production Programme (1987) |
The LP states that the musical text was prepared by Dr David Russell
Hulme from the composer's autograph score.
Although the LP omits the Gideon Crawle verses, it includes the March
for the ghosts, "By the Curse Upon our Race" and "Away Remorse" leading
into "For Thirty-five years I've been Sober and Wary."
Only "By the Curse" made it into the production, although Robin's recit
and song may have been cut the night I saw it because Gordon Sandison
was off sick and his understudy was on. (The past repeats itself and so
is future; remember Grossmith's peritonitis and Lytton stepping in
exactly one hundred years earlier!)
Another first night item omitted from the LP and from the production
is the second verse of Rose's aria "In Bygone Days." The verse is
printed in Bradley (p.722) and survived for ten performances of the
original run. It is in my copy of what I assume to be the second edition
of the libretto (i.e., no Gideon Crawle verses and no second appearance
of the ghosts). I don't remember whether the ghosts returned "all
practically alive" at the end of this production.
As I remember it, the NSWO production restored the Act 1 dialogue for
Despard and Margaret (Bradley p.698) from a pre-production libretto.
Coming finally to the overture(!), I have just remembered that, whilst
the recording uses the original overture, the production used Geoffrey
Toye's version with a frontcloth of Ruddigore castle being struck by
lightning in time with the piccolo shrieks in the "Ghost's High Noon"
passage.
In summary, the production restored several items but kept them within
the limits of a "bright little tight little" show, whilst the recording
gives us a chance to enjoy Sullivan's complete score with only a couple
of verses cut.
This is a landmark recording that no serious fan will want to be without.
On the Koch International highlights CD, the included tracks are as follows,
for a total (and rather ungenerous) playing time of 39:07:
Fair is rose
If somebody there chanced to be
From the briny sea (minus the hornpipe)
In sailing o'er
Cheerilly carols
Welcome gentry..Oh why am I moody and sad
You understand
I once was as meek (only one verse)
Happily coupled
When the night wind howls
I once was a very abandoned person
My eyes are fully open
There grew a little flower
Finale Act 2
Issue History
| Date | Label | Format | Number | Comments |
| 1987 |
MCA |
LP |
MCA 2-11010 |
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| CD |
MCAD 2-11010 |
Cassette (not verified) |
MCAC 2-11010 |
| TER |
LP |
TER 2 1128 |
| CD |
CDTER 2 1128 |
| Cassette |
ZCTED 1128 |
| 1990s |
Musical Heritage Society |
CD |
MHS522379H |
| 1994 |
Koch International |
CD |
340 342 |
Highlights |
| 2000 |
Jay |
CD |
CDJAY2 1340 |
Remastered |
Marc Shepherd, oakapple@cris.com
Copyright ©1995-2005. All Rights Reserved.
Last Modified: 2-Dec-01
URL: http://www.cris.com/~oakapple/gasdisc/rudnswo.htm
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